The film received a very divisive response at its Cannes press screening; it was booed by many of the audience of journalists and critics while also receiving a standing ovation.[19][13] Review aggregation website Rotten Tomatoes gives the film a score of 42% based on reviews from 23 critics.[20]
Robbie Collin of The Daily Telegraph reflected concerns over the film in a 3 out of 5 star review. "The film's characters are non-people; the things they say to each other are non-conversations, the events they enact are non-drama," he wrote. But he praised Refn for following up his commercially successful film Drive with "...this abstruse, neon-dunked nightmare that spits in the face of coherence and flicks at the earlobes of good taste."[21]
Peter Bradshaw of The Guardian gave it 5 out of 5 stars, calling it gripping and praising the "pure formal brilliance" of every scene and frame, though he notes that it will "have people running for the exits, and running for the hills" with its extreme violence.[22] [23]
Despite the mixed reaction from Cannes, the film won the Grand Prize a few weeks later at the Sydney Film Festival.