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  1. #1261
    Shimmy shimmy ya shimmy yam shimmy ya
    Sweaty Dick Punching Enthusiast

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  2. #1262
    #Despair
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    Quote Originally Posted by Hirokei Kiaza View Post
    Such a shame the ending to the manga is so fucking retarded lol.
    Yea, the ending was... pretty far from perfect, but I suppose it could've been worse; at least it ends on a happy note.

  3. #1263
    Mithra Ero-Sensei
    Sex Manthra

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    Quote Originally Posted by Hirokei Kiaza View Post
    haha not that one.... this one!

    manga spoiler..ish and NSFW

  4. #1264
    Shimmy shimmy ya shimmy yam shimmy ya
    Sweaty Dick Punching Enthusiast

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    Oh no, I knew exactly what scene you were talking about considering its you Gulk lol. The other scene is just something I wanted to counter it with lol.

  5. #1265
    Nidhogg
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    Quote Originally Posted by Gulkeeva View Post
    haha not that one.... this one!

    manga spoiler..ish and NSFW
    Would be better if it was Murmur.

  6. #1266

  7. #1267

    What anime is that?

  8. #1268
    Mr. Flippy
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    Mirai Nikki

  9. #1269
    Bagel
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  10. #1270
    Ranger
    9900klub

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    I wanna know where that calvin and hobbes comic came from

  11. #1271
    Spiders are Awesome
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    random shit
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    hello thar, mailman
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  12. #1272
    Bagel
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    Weird thumb. Can't stop looking at it.

  13. #1273
    Spiders are Awesome
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    Fuck. Now I can't stop staring at it, and it's making me trip over things.

  14. #1274
    Sea Torques
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    Quote Originally Posted by Sonomaa View Post
    I wanna know where that calvin and hobbes comic came from
    Looks like they are from a site called Pants are Overrated. They are called Hobbes and Bacon(The name of Calvin's daughter). Looks like the site has been taken down though

    I found a few of the comics here http://www.npr.org/blogs/krulwich/20...c-book-biology

    http://media.npr.org/assets/img/2011...bbes_bacon.jpg

    http://media.npr.org/assets/img/2011...bes_bacon2.jpg

  15. #1275
    Science Fiction Super Fan
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    i love it!

  16. #1276
    Formerly BGTemp // TERA Fan
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    ^ I would pay Bill Waterson to start writing/drawing a TNG style comic like that. I miss C&H

  17. #1277

  18. #1278

    ▲▲

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    Random dump

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  19. #1279

    ▲▲

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    More due to image cap.

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  20. #1280
    I am by far the worst poster in most threads, including Olroy and Mazmaz. I go from 0 to Mad in 0.6 seconds. Also, 8==============D
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    Quote Originally Posted by Sonomaa View Post
    I wanna know where that calvin and hobbes comic came from
    http://4.bp.blogspot.com/-zfI1IsSuDe...35.46%2BAM.png
    http://1.bp.blogspot.com/-99930gXOiV...36.09%2BAM.png
    http://2.bp.blogspot.com/-fmfqVkGb1F...36.52%2BAM.png


    If you’re thinking it looks eerily like an adult Calvin from Calvin & Hobbes, you’d be right. Two bloggers have drawn their version of the grown-up troublemaker as a father. That’s Calvin with his WIFE—who happens to be Susie (yes, that Susie).

    I can’t decide whether to be amused or disturbed. Sure, the comics are pretty funny (there’s two total, here and here), and Hobbes makes a welcome return. Calvin, in truly ridiculous form, has even named his kid Bacon (what’s that short for, Begonia)?

    But it also feels profoundly weird and a little bit wrong. We don’t expect comic strip heroes to ever get older. In fact, most of the comics only work because the characters never age. You’d hardly expect a teenage Calvin to run around with a stuffed tiger, and Zits relies on its everlasting adolescent-parent wars.

    In that sense, comic strips seem exempt from the basic laws of storytelling (not to mention time). If the characters never age, then there are limits to how much they can mature and change. Week after week they rely on the same tricks: Garfield is always ravenous, Paige Fox will always like shopping, Alix Stone never runs out of energy…the same formula when applied to books quickly gets boring (just think Sweet Valley High or The Boxcar Children). So why does it work for comics? Is it because of their brevity? Their humor? One of the few comics to break that trend—Lynn Johnston’s For Better or For Worse—never worked for me. It often got me to smile but rarely a laugh. Maybe I just didn’t like its style; or maybe it’s because the characters kept aging, changing too quickly, it seemed, before I could get a grasp on them. What do you think? Why do most comics keep their characters in stasis, and why doesn’t it bother us?
    the site seems to be down but above is a little article about it from here

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