There will be [crime] cases, but what [executive producers] Ali Adler and Greg Berlanti pitched was a real series arc for her… The beauty of it is now with shows like Good Wife and Madam Secretary, you can have serialized story elements woven into a case of the week. She’s a crime solver, so she’s going to have to solve a crime. She’s going to get a bad guy.
It’s a female empowerment story. If you look at the strong female characters we have on the air, it really is resonant of that … We’re big feminists. It’s her intellect, it’s her skill, it’s her smarts. It’s all of those elements. It’s not just her strength, which she does have.
I think we’re watching an evolution with regard to the way that superhero characters are portrayed… There’s a humanity. They’re flawed. There’s a relatability. For our network right now, what we did respond to was the character’s humanity, the other characters in the show as well — the story trajectory and the character’s arc and growth. These are all things that made her just imminently relatable, and made the story exciting. We made a decision based on the pitch that we heard.
She’s got to be an every woman… I think back to having had the good fortune of being at Warner Bros. when we were doing Lois & Clark, the chemistry between Dean Cain and Teri Hatcher was really wonderful. So I think in this case, it’s looking for someone who embodies both the freshness and the exuberance of being a young woman in today’s challenging climate and being someone who can carry this kind of series on her shoulders. It’s a big, big show.