The only two blonde characters are both portrayed as evil and authoritarian members of the Weyland corporation.
The captain of the ship is a negro.
During a video introduction to the crew of the ship on their mission, the founder of the Weyland corp indicates that the blonde male is like his "son," but "lacks a soul," for he is an android. It is also alluded that Weyland himself is probably dead of old age by the time the crew watches the video at their destination.
None of the members of the crew wear uniforms, not even then negro captain. The exception is the two blondes who both wear sharp military style uniforms. There is an implicit portrayal of class struggle here, with the humble workers/Marxists who can do no wrong vs the Bourgeoisie Nazis Who Want to Kill Six Million Jews.
The reason they're on their mission is to discover the home planet of the Engineers, the rumored hyperborean male-only race of White super-patriarchs who supposedly created humanity and all life on Earth. This is important for later.
After arriving and exploring the planet, they find the place dead. The white husband of the main protagonist, the redhead female, becomes disillusioned and gives up—he's portrayed as a deadbeat, useless, and only good for sex.
One of the characters mentions "The Holocaust" when describing a pile of dead alien Engineer bodies that is discovered.
The negro captain hits on the blonde female, and she smiles and reciprocates, telling him to "meet me in my quarters in 10 minutes." It is then heavily implied that they had sex.
Steven Spielberg's name is narcissistic-ally mentioned by the negro captain in reference to one of his personal keep sakes.
The blonde android is seen communicating with Weyland corp via a secret communications channel, and begins to experiment on the husband of the redhead woman with alien nanoweaponry/biologicals. The android is portrayed as a charming Nazi doctor type, who beguiles his victims which is contrasted with the diabolical nature of his experiments. It's almost like the image the director/producers wanted was like he's cutting open a Jewish child hand-picked from a deathcamp, while calmly telling the child "it's alright, you'll be just fine." The infected husband has sex with his red head wife.
Later, the husband starts showing symptoms and tries to reenter the ship after an expidition to search for missing crew members. The blonde woman refuses to allow him to enter, and instead incinerates him in cold blood. The redhead women screams, protesting that he could have been saved if only she could have used the sole medical pod found exclusively in the blonde woman's personal quarters. The redhead woman then passes out.
When the redhead woman reawakens, the blonde android is reaching over her removing her Christian Cross necklace, and when she tries to stop him, he says "I need to remove this, it may be infected."
The blonde android performs a medical scan on the redhead and finds that she is infected with an alien hybrid from being inseminated by her infected husband. That's right, white people gave birth to the aliens of the later movies. I'm sure you can all see the references to Jesus and Christianity here as well and what the Jews really think of it all.
The blonde android refuses to remove it from her, providing justifications that are neither her nor there. He seems more interested in letting the "experiment" run it's course.
The blonde android tells the redhead "it must feel like your God abandoned you" and then informs her that Weyland staff/crew will be along shortly to put her back into cryostasis.
Later, she escapes and makes it to the medical pod in the blonde female's quarters. She activates the console, but the voice interface tells her the machine is calibrated for "male patients only" and that she should seek medical assistance elsewhere. Oh, that damn "male privilege!" She then forcefully overrides the "male privilege" exception in the user interface, demonstrating that women can "smash the patriarchy."
She takes an anesthetic and jumps into the medical pod just as the alien is about to burst forth. The surgical robot begins to give her a C-section, but the anesthetic hasn't yet taken effect. The grueling surgery is depicted in all of its bloody horror, as the alien placenta is plucked from her womb by robotic arms. The alien then tries to attack, as she rips the umbilical cord with her bare hands and struggles to get out of the pod. Surely, a grisly warning from Hollywood to every white women who ever planned to have children, one that won't be forgotten by the movie's viewers.
The redhead stumbles through the corridors of the blonde female's special quarters, and comes across a room in which the secret comes out. Weyland himself has been along for the rid. He's not dead after-all, and this was with whom the android was communicating with all along. Weyland is here to meet with one of the "Engineer" aliens discovered on the planet to be still alive in cryostasis in an attempt to plead for immortality.
The redhead and the black captain have a scene in which he refuses to go along with helping the "damn whities" open up "pandora's box" any further, thus averting suffering for his fellow mudskins back on Earth. The Whites are always the cause of all of the Black's problems, after all, right?
The blonde women is revealed to be Weyland's daughter. Weyland called the blonde android his "son." The blonde android calls the blonde woman his "mom." Those crafty Jewish producers and script writers sure love tarnishing blonde haired Aryans in every way they can, and the suggestion of incest is not off limits.
The blonde women obviously has a vendetta against her own father.
The plot twist of the movie: the Engineers not only created humanity, but decided that what they did was a bad idea, implying they hate egalitarian philosophies/civilization, and had then embarked on destroying humanity, and planned to send their biological/nanobot weaponry to eradicate life on Earth. When they awaken the Engineer, he immediately starts killing the humans and launches the ship on its course.
The redhead continues to ask "why!?" as if she can't see anything wrong with egalitarianism.
The black captain saves the day by sacrificing his ship and his multi-cult crew, who lovingly follow him to their fates. Meanwhile, the blonde women lacks the virtue of sacrifice and gets on an escape pod, crashing back on the planet. Blacks = altruistic. Aryans = self-centered.
Blonde and redhead women running to avoid being crushed by crashing ships. Redhead stumbles and falls, blonde doesn't help and keeps running, gets crushed. Redhead lives.
Redhead kills the Engineer by opening up a room containing the alien "Jesus" she gave birth to, and letting them duke it out.
Redhead and the damaged blonde android then embark to commandeer another alien ship and turn it on the Engineer's homeplanet instead.
Blackie wins the battle, but Women will win the war against the Patriarchy of the Engineers.
I probably missed dozens of other plot devices used to push kike propaganda, I gave up keeping track of everything half-way through watching this deplorable film.