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  1. #1901
    HABS SUCK!!!!!
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    Imagine my shock when i see Dim white knighting this. In other news, water is wet.

  2. #1902
    I'll change yer fuckin rate you derivative piece of shit
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    Quote Originally Posted by Andalusian girls View Post
    Archibald Crane's movie reviewing abilities not #1
    Quote Originally Posted by dasva View Post
    Confirmed shit taste
    It was just clearly a movie written by a non-American about American police and race relations without doing the actual work to learn how things are here. It was beautifully shot and had some strong performances though, but the script was just...off.

    Spoiler: show
    and where the fuck did that fire extinguisher come from?

  3. #1903

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    Quote Originally Posted by Dimmauk View Post
    It was good until the last 5 minutes.

    Re@ Rose's tweets. Context helps. She says known predators. Is the woman that spearheaded #metoo a known sex predator like Harvey? Did Rose pile on other accused men?
    yeah there's a p basic failure in reading comprehension in people labeling her a hypocrite on account of that Tweet. she's telling people who have worked with known predators what to do, how to make amends for protecting the Weinsteins of the world for decades, it's not really a #believeallwomen thing.

  4. #1904

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    Quote Originally Posted by archibaldcrane View Post
    It was just clearly a movie written by a non-American about American police and race relations
    i can see how you wouldn't like it if you thought that was what the movie was about.

  5. #1905
    I'll change yer fuckin rate you derivative piece of shit
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    Quote Originally Posted by Andalusian girls View Post
    i can see how you wouldn't like it if you thought that was what the movie was about.
    ok, replace "about" with "with regards to"

  6. #1906

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    just think you're fundamentally misunderstanding McDonagh's aesthetic if you think it was a movie primarily about movements or ideology or social issues. he is intensely character-focused writer, and while race relations and police brutality are dealt with they are done so more as the backdrop for the deuteragonist's characterization and arc than as a blanket statement trying to make a larger sociological point. i know the prevailing trend in popular art is to make stories that are about something 'bigger', using the movement of the characters as symbol, but McDonagh's story is focused on the individual, on the rage of grief, on redemption, and despite the braying of socially conscious reviewers i never got the impression he was trying to pontificate.

  7. #1907
    preachy and pretentious
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    Quote Originally Posted by Andalusian girls View Post
    just think you're fundamentally misunderstanding McDonagh's aesthetic if you think it was a movie primarily about movements or ideology or social issues. he is intensely character-focused writer, and while race relations and police brutality are dealt with they are done so more as the backdrop for the deuteragonist's characterization and arc than as a blanket statement trying to make a larger sociological point. i know the prevailing trend in popular art is to make stories that are about something 'bigger', using the movement of the characters as symbol, but McDonagh's story is focused on the individual, on the rage of grief, on redemption, and despite the braying of socially conscious reviewers i never got the impression he was trying to pontificate.
    It's about people doing the best they can with what they know.

  8. #1908
    Duplicitous Jew with Political Aspirations
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    What movie is this?

  9. #1909
    Ridill
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    Quote Originally Posted by Zealot View Post
    What movie is this?
    3 Billboards

  10. #1910
    Duplicitous Jew with Political Aspirations
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    Ahhh, never saw it.

  11. #1911
    I'll change yer fuckin rate you derivative piece of shit
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    Quote Originally Posted by Andalusian girls View Post
    just think you're fundamentally misunderstanding McDonagh's aesthetic if you think it was a movie primarily about movements or ideology or social issues. he is intensely character-focused writer, and while race relations and police brutality are dealt with they are done so more as the backdrop for the deuteragonist's characterization and arc than as a blanket statement trying to make a larger sociological point. i know the prevailing trend in popular art is to make stories that are about something 'bigger', using the movement of the characters as symbol, but McDonagh's story is focused on the individual, on the rage of grief, on redemption, and despite the braying of socially conscious reviewers i never got the impression he was trying to pontificate.
    Oh I get it, I just found the "backdrop" to be horribly distracting and foreign. It was a mistake to set this story (which isn't a necessarily American story by any means) in a setting McDonagh doesn't understand.

    Sent from my SM-G930V using Tapatalk

  12. #1912
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    Quote Originally Posted by archibaldcrane View Post
    Oh I get it, I just found the "backdrop" to be horribly distracting and foreign. It was a mistake to set this story (which isn't a necessarily American story by any means) in a setting McDonagh doesn't understand.

    Sent from my SM-G930V using Tapatalk
    It wasn't attempting to tell a slice of American life. You uproot the characters to a different country or class and the takeaway is exactly the same. A bunch of people shitty or otherwise getting by and dealing with things they have no idea how to deal with. Even the ending was "yeah lets go do this, wait, now that we've slept on it, this is beyond our lives." The backdrop was there to provide a catalyst/tipping point for all the bullshit they had all just sucked up. It's okay if you didn't like it though, not everything will resonate with everyone every time.

  13. #1913

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    Remember when that one Scot directed an excellent neo-western heist drama, set in West Texas and shot in New Mexico?

    I ought to rewatch again.

  14. #1914
    I'll change yer fuckin rate you derivative piece of shit
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    Quote Originally Posted by Roranora View Post
    Remember when that one Scot directed an excellent neo-western heist drama, set in West Texas and shot in New Mexico?

    I ought to rewatch again.
    A superior film for sure.

    Sent from my SM-G930V using Tapatalk

  15. #1915
    Who's driving? Oh my God Bear is driving! How can that be??
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    Quote Originally Posted by Ragnus View Post
    https://www.nytimes.com/2018/08/19/u...y-bennett.html

    #MeToo spearheader just got #MeToo'd. She paid off her accuser, Jimmy Bannett, who claims that she sexually assaulted him when he was 17. In an interview he claims that their relationship took off in a "mother-son fashion" when they worked together on a movie when he was seven, so there may even me a ton of grooming involved also.
    Asia is now saying that it never happened and that Bennett was trying to hit her up for cash for damages in the tune of $3.5 million. She claims it was Bourdain's idea to pay him off so that his name wouldn't get dragged thru the mud by association.

    https://twitter.com/yashar/status/1031915552699179009

  16. #1916
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    Sure blame the dead guy

  17. #1917
    HABS SUCK!!!!!
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    Another vehement defender of "you must always believe the victim otherwise you're a rape apologist" goes to the "they're lying, it didnt happen" defense when they all of a sudden become the accused. However, unlike Takei's "he said, she said" story, this one comes with actual proof and a previous exchange of hush money. AND she's blaming the whole thing on her boyfriend who committed suicide two months ago.


    fuckin lol. AG and Dim whiteknighted for this psychotic predator too, what a take.

  18. #1918
    Who's driving? Oh my God Bear is driving! How can that be??
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    Supposedly TMZ has text messages between Bourdain and Asia where he mentions paying him off to get rid of him. She basically admits to having sex with the 17 year old in the text messages but then tries to play it off like she let it happen because it was some fantasy he had for the longest time.
    It wasn't raped (sic) but I was frozen. He was on top of me. After he told me I had been his sexual fantasy since he was 12.

  19. #1919
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    Wait, wait. Is this trying to be turned into "I was the real victim here!"?

  20. #1920
    Brown Recluse
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    Quote Originally Posted by NynJa View Post
    Another vehement defender of "you must always believe the victim otherwise you're a rape apologist" goes to the "they're lying, it didnt happen" defense when they all of a sudden become the accused. However, unlike Takei's "he said, she said" story, this one comes with actual proof and a previous exchange of hush money. AND she's blaming the whole thing on her boyfriend who committed suicide two months ago.


    fuckin lol. AG and Dim whiteknighted for this psychotic predator too, what a take.
    How was I whiteknighting? I asked questions in my previous post. I've been on team innocent until proven guilty since the beginning.

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