Department of Defense willing to spend about $600k for giant magic fairy toad sculpture

**6souls** · 2011-04-05 12:09

Department of Defense (DOD) employees moving into a new building this fall may start their days walking past a sculpture of a toad with a ten-foot fairy on its back. Federal facilities have never been renowned for their challenging public art, but critics have gone on the offensive since it was revealed that the piece, one of four finalists for the site's installation, would cost $400,000-$600,000 and would be viewed largely by the same group of about 2,500 employees each day.

It's hard out there for a public artwork. Usually, the story is about political censorship, like when Governor Paul LePage (R-Maine) ordered the removal of a pro-union mural at the state's Department of Labor. But just as troubling as the corporate art lobby is the government's see-no-evil attitude toward public art that doesn't offend anyone.

It's not really about the fairy riding the toad; it's about officials' unwillingness to scrutinize their commissions. Because the arts' effects are often immeasurable, the government has no frame of reference for how much artistic projects are actually worth. Administrators may be oblivious to overspending, even if the public has no trouble calling a toad a toad.

Evaluation is easier, of course, when it comes to larger-scale works. Anish Kapoor's "Cloud Gate" in Chicago, wound up costing $23 million (in private funds), but has become a remarkably successful tourist destination and landmark since its completion in 2006. If a sculpture like "Cloud Gate" drives millions of visits each year, it's declared it a success. But how do you measure the impact of an artwork that the same 2,500 people see every day? Higher employee satisfaction ratings? A thousand enthusiastic fans? A hundred? Ten?

The reality is that these criteria don't even enter the official deliberation process. The people administering federal budgets for individual facilities, the advisory groups, the city councils, view their arts allocations as money that must be spent. In commissioning an artwork, they don't have to understand it or like it or expect others to like it, they just have to approve it. The abrupt selection of finalists for the DOD installation speaks to this apathy; ARTINFO quotes advisory group member Don Buch:

It was my understanding, and I believe that of many others, that public art was really no one's immediate priority and it would essentially be held in abeyance until the...buildings were completed and operational. To now be advised that there is suddenly a short-list of four proposals, which will be on display at Ramsey Rec Center for a week and we need to hurry on over as we are now 'on a fast time frame' is troubling.

If administrators don't care which installation gets built, isn't that just as bad as having no arts budget in the first place? Sure, artistic success can't really be measured, but we have an intuition for massive overspending, and an "anything goes" attitude clearly runs counter to artists' values. We may not be able to expect a committee to select creations that will have lasting impact, but administrators would benefit from devoting more attention to the merits of one public artwork over another--or giving that responsibility to someone else--if only to avoid putting more half-million-dollar fairies on their record.

http://www.huffingtonpost.com/2011/0..._n_844054.html

**Yugl** · 2011-04-05 12:12

I'm disappointed. I thought it would be a frog with fairy wings, not a fairy on the frog.

**6souls** · 2011-04-05 12:20

http://mommylife.net/archives/2011/0...0sculpture.jpg

Alexandria, Virginia is not exactly a hotbed of art news. Recent arts and culture headlines at AlexandriaNews.org include "Dogfish Head Wins Seventh Annual Great Rum Punch Challenge." But one particular public art story in the berg has taken on national significance as symbol of wasteful government spending: Have you heard the one about the Department of Defense's $600,000 sculpture of a fairy riding a toad?

If this sounds like an April Fool's joke, that's what we thought too (and mindful of the timing, the original March 30 story from Alexandria News actually contains an Editor's Note reminding readers: "It is not yet April Fool's Day.") The story is this: The city is building the new $700 million Mark Center, to serve as a hub for defense department workers being relocated as part of the so-called Base Realignment and Closure (BRAC) plan (a controversial post-9/11 initiative to make the area less vulnerable to terrorist attack by dispersing personnel). The construction project has a provision for public art, to be sited in the complex's transportation center, and the four finalists are on view at an Alexandria rec center from March 24 until today, when the decision is to be made.

The unveiling of the public art finalists stunned observers of the project. One vocal critic is Don Buch, a member of the BRAC Advisory Group, who says that he was blind-sided by the announcement, given that the last official discussion of public art at the Mark Center was a year ago. "It was my understanding, and I believe that of many others, that public art was really no one's immediate priority and it would essentially be held in abeyance until the BRAC buildings were completed and operational," Buch told the Alexandria News. "To now be advised that there is suddenly a short-list of four proposals, which will be on display at Ramsey Rec Center for a week and we need to hurry on over as we are now 'on a fast time frame' is troubling."

However, it is the actual character of the proposed art that has drawn wider attention to the issue, most particularly Cheryl Foster's sculptural tableau, which is described in her official pitch thusly: "A 10 foot fairy, using an American Toad as 'transportation', scurries to the entrance of the Station. The interior of the toad is illuminated and the sounds of nature emanate from his throat."

The toad sculpture would accompany a stained-glass wall depicting Virginia wildlife and nature scenes, including "whimsical fairies" riding grasshoppers and cicadas. And the two elements form one integrated installation, apparently: "Sound and LED lighting will be placed in the interior of the toad allowing him to magically radiate and tell the story of the figures represented in the wall mural."

The local government's official announcement for the show of finalists stated that, "The public's comments will be taken into consideration by the Mark Center Transportation Center Artwork Selection Committee." Given the uproar around Foster's "$600,000 Gurgling Toad" (as U.S. News and World Report dubbed it), we are guessing that it will not get the final vote. That leaves a sculpture and wall-piece by Linda DePalma based on the form of the Virginia Magnolia; an abstract mural based on the patterns of sound waves, by Heidi Lippman; and a "functional artistic bench" from Deirdre Saunder.

http://www.artinfo.com/news/story/37...ical-toad-art/